Retrofitting Blade Runner

Filename: retrofitting-blade-runner.pdf
ISBN: 0879725109
Release Date: 1991
Number of pages: 291
Author: Judith Kerman
Publisher: Popular Press

Download and read online Retrofitting Blade Runner in PDF and EPUB This book of essays looks at the multitude of texts and influences which converge in Ridley Scott's film Blade Runner, especially the film's relationship to its source novel, Philip K. Dick's Do Androids Dream of Electric Sheep? The film's implications as a thought experiment provide a starting point for important thinking about the moral issues implicit in a hypertechnological society. Yet its importance in the history of science fiction and science fiction film rests equally on it mythically and psychologically resonant creation of compelling characters and an exciting story within a credible science fiction setting. These essays consider political, moral and technological issues raised by the film, as well as literary, filmic, technical and aesthetic questions. Contributors discuss the film's psychological and mythic patterns, important political issues and the roots of the film in Paradise Lost, Frankenstein, detective fiction, and previous science fiction cinema.


The Blade Runner Experience

Filename: the-blade-runner-experience.pdf
ISBN: 9780231501798
Release Date: 2012-05-15
Number of pages: 240
Author: Will Brooker
Publisher: Columbia University Press

Download and read online The Blade Runner Experience in PDF and EPUB Since its release in 1982, Ridley Scott's Blade Runner, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep?, has remained a cult classic through its depiction of a futuristic Los Angeles; its complex, enigmatic plot; and its underlying questions about the nature of human identity. The Blade Runner Experience: The Legacy of a Science Fiction Classic examines the film in a broad context, examining its relationship to the original novel, the PC game, the series of sequels, and the many films influenced by its style and themes. It investigates Blade Runner online fandom and asks how the film's future city compares to the present-day Los Angeles, and it revisits the film to pose surprising new questions about its characters and their world.


Blade Runner

Filename: blade-runner.pdf
ISBN: 9780231504645
Release Date: 2012-07-16
Number of pages: 128
Author: Matt Hills
Publisher: Columbia University Press

Download and read online Blade Runner in PDF and EPUB More than just a box office flop that resurrected itself in the midnight movie circuit, Blade Runner (1982) achieved extraordinary cult status through video, laserdisc, and a five-disc DVD collector's set. Blade Runner has become a network of variant texts and fan speculations& mdash;a franchise created around just one film. Some have dubbed the movie "classroom cult" for its participation in academic debates, while others have termed it "meta-cult," in line with the work of Umberto Eco. The film has also been called "design cult," thanks to Ridley Scott's brilliant creation of a Los Angeles in 2019, the graphics and props of which have been recreated by devoted fans. Blade Runner tests the limits of this authenticity and artificiality, challenging the reader to differentiate between classic and flop, margin and mainstream, true cult and its replicants.


Blade Runner

Filename: blade-runner.pdf
ISBN: 9781136231452
Release Date: 2015-05-08
Number of pages: 174
Author: Amy Coplan
Publisher: Routledge

Download and read online Blade Runner in PDF and EPUB Ridley Scott’s Blade Runner is widely regarded as a "masterpiece of modern cinema" and is regularly ranked as one of the great films of all time. Set in a dystopian future where the line between human beings and ‘replicants’ is blurred, the film raises a host of philosophical questions about what it is to be human, the possibility of moral agency and freedom in ‘created’ life forms, and the capacity of cinema to make a genuine contribution to our engagement with these kinds of questions. This volume of specially commissioned chapters systematically explores and addresses these issues from a philosophical point of view. Beginning with a helpful introduction, the seven chapters examine the following questions: How is the theme of death explored in Blade Runner and with what implications for our understanding of the human condition? What can we learn about the relationship between emotion and reason from the depiction of the ‘replicants’ in Blade Runner? How are memory, empathy, and moral agency related in Blade Runner? How does the style and ‘mood’ of Blade Runner bear upon its thematic and philosophical significance? Is Blade Runner a meditation on the nature of film itself? Including a brief biography of the director and a detailed list of references to other writings on the film, Blade Runner is essential reading for students – indeed anyone - interested in philosophy and film studies. Contributors: Colin Allen, Peter Atterton, Amy Coplan, David Davies, Berys Gaut, Stephen Mulhall, C. D. C. Reeve.


Blade Runner

Filename: blade-runner.pdf
ISBN: 9781844577132
Release Date: 2012-07-31
Number of pages: 112
Author: Scott Bukatman
Publisher: Palgrave Macmillan

Download and read online Blade Runner in PDF and EPUB Ridley Scott's dystopian classic Blade Runner, an adaptation of Philip K. Dick's novel, Do Androids Dream of Electric Sheep?, combines noir with science fiction to create a groundbreaking cyberpunk vision of urban life in the twenty-first century. With replicants on the run, the rain-drenched Los Angeles which Blade Runner imagines is a city of oppression and enclosure, but a city in which transgression and disorder can always erupt. Graced by stunning sets, lighting, effects, costumes and photography, Blade Runner succeeds brilliantly in depicting a world at once uncannily familiar and startlingly new. In his innovative and nuanced reading, Scott Bukatman details the making of Blade Runner and its steadily improving fortunes following its release in 1982. He situates the film in terms of debates about postmodernism, which have informed much of the criticism devoted to it, but argues that its tensions derive also from the quintessentially twentieth-century, modernist experience of the city – as a space both imprisoning and liberating. In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Bukatman suggests that Blade Runner 's visual complexity allows it to translate successfully to the world of high definition and on-demand home cinema. He looks back to the sciencefiction tradition of the early 1980s, and on to the key changes in the 'final' version of the film in 2007, which risk diminishing the sense of instability created in the original.


Philosophy and Blade Runner

Filename: philosophy-and-blade-runner.pdf
ISBN: 9781137412294
Release Date: 2016-04-30
Number of pages: 217
Author: T. Shanahan
Publisher: Springer

Download and read online Philosophy and Blade Runner in PDF and EPUB Philosophy and Blade Runner explores philosophical issues in the film Blade Runner , including human nature, personhood, identity, consciousness, free will, morality, God, death, and the meaning of life. The result is a novel analysis of the greatest science fiction film of all time and a unique contribution to the philosophy of film.


Racial Stigma on the Hollywood Screen from World War II to the Present

Filename: racial-stigma-on-the-hollywood-screen-from-world-war-ii-to-the-present.pdf
ISBN: 9780230101678
Release Date: 2009-11-23
Number of pages: 208
Author: B. Locke
Publisher: Springer

Download and read online Racial Stigma on the Hollywood Screen from World War II to the Present in PDF and EPUB This book charts the evolution, from the World War II period to the present day, of racial relationships and their repercussions in Hollywood films and examines a neglected sub-genre.


Future Noir

Filename: future-noir.pdf
ISBN: 0575081600
Release Date: 2007
Number of pages: 588
Author: Paul Sammon
Publisher: Orion Publishing Company

Download and read online Future Noir in PDF and EPUB The fascinating story of the making of the most influential SF film ever made, republished to coincide with the film's cinematic re-release. It contains exclusive production photos; an exclusive interview with Ridley Scott, cast interviews - including an entirely new interview with Harrison Ford - one of the very last interviews make with Philip K. Dick, and a complete annotated bibliography.


Sound Design and Science Fiction

Filename: sound-design-and-science-fiction.pdf
ISBN: 9780292773998
Release Date: 2009-01-27
Number of pages: 288
Author: William Whittington
Publisher: University of Texas Press

Download and read online Sound Design and Science Fiction in PDF and EPUB Sound is half the picture, and since the 1960s, film sound not only has rivaled the innovative imagery of contemporary Hollywood cinema, but in some ways has surpassed it in status and privilege because of the emergence of sound design. This in-depth study by William Whittington considers the evolution of sound design not only through cultural and technological developments during the last four decades, but also through the attitudes and expectations of filmgoers. Fans of recent blockbuster films, in particular science fiction films, have come to expect a more advanced and refined degree of film sound use, which has changed the way they experience and understand spectacle and storytelling in contemporary cinema. The book covers recent science fiction cinema in rich and compelling detail, providing a new sounding of familiar films, while offering insights into the constructed nature of cinematic sound design. This is accomplished by examining the formal elements and historical context of sound production in movies to better appreciate how a film sound track is conceived and presented.Whittington focuses on seminal science fiction films that have made specific advances in film sound, including 2001: A Space Odyssey, THX 1138, Star Wars, Alien, Blade Runner (original version and director's cut), Terminator 2: Judgment Day and The Matrix trilogy and games—milestones of the entertainment industry's technological and aesthetic advancements with sound. Setting itself apart from other works, the book illustrates through accessible detail and compelling examples how swiftly such advancements in film sound aesthetics and technology have influenced recent science fiction cinema, and examines how these changes correlate to the history, theory, and practice of contemporary Hollywood filmmaking.


The Films of Ridley Scott

Filename: the-films-of-ridley-scott.pdf
ISBN: 0275969762
Release Date: 2001-01-01
Number of pages: 177
Author: Richard Alan Schwartz
Publisher: Praeger Publishers

Download and read online The Films of Ridley Scott in PDF and EPUB A consideration of Ridley Scott's visual style, thematic concerns, and his reinvigoration of such cinematic genres as science fiction, film noir, the road film, and historical epics.


Blockbuster

Filename: blockbuster.pdf
ISBN: 0743274318
Release Date: 2004-12-07
Number of pages: 352
Author: Tom Shone
Publisher: Simon and Schuster

Download and read online Blockbuster in PDF and EPUB It's a typical summer Friday night and the smell of popcorn is in the air. Throngs of fans jam into air-conditioned multiplexes to escape for two hours in the dark, blissfully lost in Hollywood's latest glittery confection complete with megawatt celebrities, awesome special effects, and enormous marketing budgets. The world is in love with the blockbuster movie, and these cinematic behemoths have risen to dominate the film industry, breaking box office records every weekend. With the passion and wit of a true movie buff and the insight of an internationally renowned critic, Tom Shone is the first to make sense of this phenomenon by taking readers through the decades that have shaped the modern blockbuster and forever transformed the face of Hollywood. The moment the shark fin broke the water in 1975, a new monster was born. Fast, visceral, and devouring all in its path, the blockbuster had arrived. In just a few weeks Jaws earned more than $100 million in ticket sales, an unprecedented feat that heralded a new era in film. Soon, blockbuster auteurs such as Steven Spielberg, George Lucas, and James Cameron would revive the flagging fortunes of the studios and lure audiences back into theaters with the promise of thrills, plenty of action, and an escape from art house pretension. But somewhere along the line, the beast they awakened took on a life of its own, and by the 1990s production budgets had escalated as quickly as profits. Hollywood entered a topsy-turvy world ruled by marketing and merchandising mavens, in which flops like Godzilla made money and hits had to break records just to break even. The blockbuster changed from a major event that took place a few times a year into something that audiences have come to expect weekly, piling into the backs of one another in an annual demolition derby that has left even Hollywood aghast. Tom Shone has interviewed all the key participants -- from cinematic visionaries like Spielberg and Lucas and the executives who greenlight these spectacles down to the effects wizards who detonated the Death Star and blew up the White House -- in order to reveal the ways in which blockbusters have transformed how Hollywood makes movies and how we watch them. As entertaining as the films it chronicles, Blockbuster is a must-read for any fan who delights in the magic of the movies.


Gu a para ver Blade Runner

Filename: gu-a-para-ver-blade-runner.pdf
ISBN: 9788476425664
Release Date: 2002
Number of pages: 59
Author: José Javier Marzal Felici
Publisher: Nau Llibres

Download and read online Gu a para ver Blade Runner in PDF and EPUB Blade Runner es hoy considerada una película de culto. Adaptación cinematográfica de la novela "¿sueñan los androides con ovejas eléctricas?" del escritor Philip K. Dick. Más de veinte años después de su estreno, no dejan de aparecer publicaciones sobre el film y el ingente número de páginas de internet dedicadas a la película sigue creciendo cada día. Frente a muchas aproximaciones anecdóticas y superficiales, el presente estudio proporciona un detallado análisis de las principales claves expresivas y narrativas del film de Ridley Scott. El amplio abanico de interpretaciones que Blade Runner sugiere nos permite constatar la permanente actualidad del film, cuyo universo de significaciones permanece inagotable. El objetivo de la Colección Guías para Ver y Analizar Cine es ofrecer una serie de análisis cinematográficos que resulte útil para amantes del cine en general y al conjunto de la comunidad educativa, en la posible adaptación de estos textos al trabajo en el aula. Cada análisis sigue una estructura general, común a todos los textos de la Colección, que incluye las siguientes partes: - Presentación de la ficha técnico-artística del film - Introducción de carácter general permite subrayar aquellos aspectos fundamentales que pueden servirnos de ayuda en el visionado crítico de la película. - Breve resumen argumental del film - Análisis de la estructura del film, cuyo valor es meramente operativo para facilitar el análisis textual de la película. - Examen de los recursos expresivos y narrativos del film. Cuya función es provocar una reflexión sobre los recursos, técnicas y aspectos más importantes de la película, a modo de recapitulación general del análisis textual. - Análisis de las principales claves interpretativas de la película. Nos permite reexaminar los estudios monográficos más relevantes sobre la película, e introducir reflexiones propias que pueden contribuir a comprender mejor la riqueza del film estudiado. - Examen del equipo de producción y del equipo artístico participantes en la película. Esta serie de datos generales son incorporados cuando se considera que pueden ayudar a comprender y a explicar la riqueza textual del film. - La bibliografía seleccionada cierra el estudio monográfico de cada película. Queremos destacar que la producción de estos estudios es fruto de la reflexión y el debate en grupo del equipo formado por: los directores de la colección, el consejo asesor y los autores. Es, precisamente, esta metodología de trabajo, junto con la utilización de un lenguaje claro y didáctico, lo que consigue que el resultado final este indicado tanto para su utilización en todos los niveles educativos como para amantes del cine en general.


Blade runner

Filename: blade-runner.pdf
ISBN: UOM:39015040576400
Release Date: 1997-09-26
Number of pages: 96
Author: Scott Bukatman
Publisher: British Film Inst

Download and read online Blade runner in PDF and EPUB 'Blade Runner' has proved to be one of the most enduring and influential films of the 1980s. In his innovative reading, Scott Bukatman details the making of the film and its steadily improving fortunes after its initial release. He situates the film in terms of the debates about post modernism that have informed the large body of criticism devoted to it. Although 'Blade Runner' explores the tensions fundamental to a postmodern era of bewildering technological change, Bukatman argues, it derives from the quintessentially twentieth-century, modernist experience of the city-the experience of a space both imprisoning and liberating.


Blade Runner and the Cinema of Philip K Dick

Filename: blade-runner-and-the-cinema-of-philip-k-dick.pdf
ISBN: 186171257X
Release Date: 2009
Number of pages: 201
Author: Jeremy Robinson
Publisher: Crescent Moon Pub

Download and read online Blade Runner and the Cinema of Philip K Dick in PDF and EPUB This new study looks at the films of sci-fi author Philip K. Dick, concentrating on Blade Runner, and films such as Minority Report, Total Recall, A Scanner Darkly, among others. T he themes and concerns of Dick's fiction are explored in relation to the movies made from his fiction. By far the most significant segment of the book is taken up with a thorough discussion of Blade Runner.


Moving Images Mobile Viewers

Filename: moving-images-mobile-viewers.pdf
ISBN: 9783643111647
Release Date: 2011
Number of pages: 252
Author: Renate Brosch
Publisher: LIT Verlag Münster

Download and read online Moving Images Mobile Viewers in PDF and EPUB Vision and movement seem to have shifted center stage in modes of experience in the last century: as a result of their joint effect, slow contemplative gazes at static images seem to be increasingly displaced by distracted "vernacular" ways of seeing. Looking out of the window of a speeding car, receiving photographs of Earth from outer space, watching the flickering images of the TV screen, scrolling through a text, zooming in on a location in Google Earth, or sending images via mobile phones or webcams - all these are unique visual experiences that were impossible before various inventions in the 20th century originated completely new kinds of movement. The double meaning of "moving images" is meant to signal the specificality of motion to these imagi(ni)ngs and, at the same time, to express the emotional power of those visual images which are able to transcend the constant stream of images in contemporary perception. (Series: Kultur und Technik. Schriftenreihe des Internationalen Zentrums fur Kultur- und Technikforschung der Universitat Stuttgart - Vol. 20)